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Cinematographer Collection - Cinema Series | Mavic Pro/Platinum

Cinematographer Collection - Cinema Series | Mavic Pro/Platinum



  • Includes all PolarPro Mavic Cinema Series Filters (fits Mavic Platinum and Pro only)
  • ND4, ND8, ND16, ND32, ND64, ND4/PL, ND8/PL, ND16/PL, ND32/PL, ND64/PL
  • Includes FREE: Hood, Landing Gear, Card Reader, Filter Cleaner ($75 Value)
  • Includes two 6-filter Cases (2 slots will be empty)
  • Lifetime Warranty with US based customer support


The PolarPro Cinematographer Filter Set for the DJI Mavic Pro includes all our Cinema Series filters. These 10 filters will ensure you have a filter for every lightning condition you are shooting in. The higher density ND filters can be used for extreme brightness or long exposure photography. Featuring the highest grade glass and coatings delivering perfect optics, the Cinema Series is for pilots who demand the absolute best. The Cinema Series for the DJI Mavic feature an aluminum frame which is thin enough to stay on during gimbal start-up.

Cinema Series™ Glass: PolarPro’s filter collection using the highest end glass and coatings available for pilots who demand the best. Cinema Series glass has a high light transmission and a low refractive index. 

Airframe™ Construction: PolarPro’s filter design specifically for aerial filming. Featherlight construction utilizes a precision threaded aircraft aluminum frame for smooth gimbal operation.

Included Filters

Cinema Series Filters: ND4, ND8, ND16, ND32, ND64, ND4/PL, ND8/PL, ND16/PL, ND32/PL, ND64/PL

Included Free Items

Link- USB2.0 Micro and Full size SD Card reader. USB-C and USB connections.

Mavic Hood: Reduces prop shadows, and reduces lens flaring.

Landing Gear: Raises Mavic up 1.75 inches and creates a stable landing platform

DronePen: Filter / Lens cleaner


How To Install

When To Use

The following guideline is a good starting point for when to use each filter while filming with your Phantom 4, Inspire 1 or Solo. The goal of this chart is to reduce the camera’s shutter speed to 1/60th to give aerial videos a smooth cinematic look, rather than a choppy high shutter speed look. A popular way of filming aerial video is to have your shutter speed at double your frame rate. So, if you are shooting 1080/60, then you want to try to achieve a 1/120th shutter speed. Or, if filming 4K/30 or 24, you will want to be near 1/60th shutter speed. 

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